HISTORY OF GRACE-ST.ANDREW'S UNITED CHURCH
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1890 saw the construction of the present "Stone Church," as St. Andrew's Presbyterian Church was known. The Wesleyan Methodists constructed the brick building called Grace Methodist at 257 John North in 1894. After the amalgamation of the two denominations into the United Church in 1925, this building began service as the Christian Education Centre. Note the original Presbyterian manse, built in 1864 and located at 24 Ottawa Street.


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North Memorial Window

       The centre panel of the North Memorial Window was installed by the congregation of Grace-St.  Andrew's as a grateful tribute to those who gave their lives in defence of justice and liberty between the years 1939 and 1945.  The left panel was placed in memory of Ida Gillies Robertson, the sister of John S. and David A. Gillies.  This panel was given by her husband Niel S. Robertson, who had served as the clerk of session of this congregation for many years.  The right panel was placed in  memory of Thomas Stephen Church (1883-1943), a well-known Arnprior businessman, by his beloved wife, Clyde Church, who was very active in the church.  This window has been embellished by a full-bloom red rose on a cross, as well as the  llcroix."
       This memorial window was dedicated by Rev.  C.E. Armstrong, then chair of the Renfrew Presbytery, and by Rev.  D.H. Woodhouse, minister of the church at the time.  It was unveiled by His Excellency Viscount Alexander of Tunis, the Governor  General of Canada, on November 25,1951.


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South Memorial Window

     The South Memorial Window was dedicated to the Glory of God and was placed in memory of the men of this
congregation who gave their lives for freedom in the two great wars.  It is also a memorial to John Stark Gillies(1868-1938), who served the communities of Arnprior and Braeside with energy and expertise.  He was one of the presidents of Gillies Bros.  Company Limited and was very active in the United Church in both Braeside and Arnprior This splendid stained-glass window was placed by his brother David A. Gillies, who also served Grace-St.  Andrew's exceptionally well as an elder and as a member of the board of stewards.  In the lower left and right corners of this window arethe crests for the Canadian and Ontario Coats of Arms.




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              The Mae McLachlin Memorial Window

      The Mae McLachlin Memorial Window is the newest of our windows. The stewards of the church commissioned Ottawa Valley artist Stephen Brathwaite to create a memorial that would reflect the love, kindness,
 gentleness and beauty of Mae (Frizell) McLachlin (1900-1984), who had served as a beloved elder for many years and won the hearts of people throughout the community. The border on the left side of the window, similar to that on the large McCausland Memorial Window, is meant to emphasize the traditionalist quality of Mrs. McLachlin, who loved the church and cherished her roots. The "eternity line" seems to follow tradition for a while, then assumes a jagged, unpredictable pattern, suggesting also that Mrs. McLachlin was her
 own person, with her own values, opinions and ideas. When this window is illuminated, from behind or in front, the blue, red, brown, gray and white fragments of glass, which were gathered from
 Renfrew and Lanark counties, refract and transform themselves, giving the
 impression of the ever-changing scenes of life.

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            The Star of David/Star of Creation Window

       High above the gallery is the Star @f David, or Star of Creation, Window.
       Huge, magnificent and splendid, it is seldom seen or fully appreciated because
  it is located in a place that can only be viewed best from the front of the sanctuary
  looking towards the congregation.  Its message is obvious.  This window reminds the church of its Jewish heritage
  and that the New Testament is hidden in the Old and the Old Testament is revealed  in the New.  The star shape is formed by two interlocking triangles, which  symbolically remind us of the three persons of the Trinity: the Father, the Son and  the Holy Spirit.  The spectacular shade of red in the stained glass connotes sovereign
  power, martyred saints and redemption.

  Photo by Tom Hanson

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The Original sanctuary, as constructed in 1980

 

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